Saturday, April 1, 2017

All Hail King Mediocre

Photo: Shayera Dark
Mediocrity is worshipped in Nigeria, where it is rife and readily accepted. So pervasive its stench and so strong its wave that no corner of society—from government offices to corporate teams to classrooms—has been spared. The bar of excellence has been set so low that it doesn’t take much to be considered a genius.

Nigeria, with a population of 170 million minds, could become a great nation if it terminated its destructive affair with the soft bigotry of low expectations, the mental stance driving its citizens to eschew hard work and/or accept dismal performances. 

There’s no reason, for instance, why Nollywood is still producing sub-par movies despite its twenty-plus years of existence. Nigerian movies ought to be competing with Hollywood, if not in special effects and epic sets then at least in compelling storylines. But because the audience expects little from Nigerian producers, directors and actors—and hence, makes no demands, trashy Nollywood movies continue to thrive, obviating the quest for excellence. What’s the point of striving for perfection when someone’s willing to reward a shitty job well done? Read more here.